Translated from French
Have you ever wondered why Greta went from climate to Palestine?
It's all just a construct. None of it exists. It's all designed to divide people. And tomorrow, it'll be AI. Then the water shortage. Then something else. There's always a new reason to keep the ship afloat.
Let me be clear. Global warming exists. The suffering of civilians in Gaza exists. What doesn't exist is the character. What's fabricated is the outrage, its timeline, and the face they stick on it.
Because in this system, a cause isn't a fight. It's a product. And a product has a lifecycle.
Remember. August 2018, a teenager sits alone in front of the Swedish Parliament. The first photo that goes around the world isn't taken by a journalist. It's posted by the founder of a climate communication startup, who will later use her name in his fundraising pitches before she distances herself. The same week, a book written by her family comes out.
One year later: the UN, Davos, the National Assembly, Time cover, Person of the Year, Nobel nominations.
I'm not saying a 15-year-old girl orchestrated it all. I'm saying the system needed a face, and it found one.
That's how the machine works.
The outrage industry needs three things: urgency, a culprit, and a face.
Urgency stops you from thinking. The culprit points out the enemy. And the face makes any criticism impossible: if you question the cause, you're attacking a child.
But there's a problem no one says out loud. A cause must never be won. A won cause means a budget that dries up, jobs that vanish, talk shows that stop inviting you. So the urgency has to be permanent. And when one urgency wears out, you move to the next.
They call it politely the "convergence of struggles." In reality, it's portfolio management. Climate, gender, race, Palestine, tomorrow AI and water: interchangeable assets. The activists are the same, the NGOs are the same, the funding is the same. Only the sign changes. The keffiyeh replaces the "Skolstrejk för klimatet" placard.
And every cause serves the same function: to cut the people into pieces. Youth against the old, "you stole our future." Cities against the countryside, activists against farmers. One against the other, endlessly.
A divided people never holds those who govern it accountable.
That's cultural hegemony in its purest form. Not tanks. Characters. Ready-made narratives, amplified by the same media, funded by the same foundations, rewarded by the same prizes. The character only has power as long as the microphone holds it up.
And look at what's happening today. Six years ago, Greta was on the covers of magazines around the world. Today, she's reduced to phone-filmed protest videos. When the system drops a character, it's not that it's changed its mind. It's looking for the next one.
I predict it for you: the next one will be about AI. "AI will destroy your jobs, the planet, democracy." A young, sincere, distraught face. And behind it, an NGO ready to raise funds.
The right question is never "is the cause just?" The right question is: who funds the face, and what will it sell next?
A generation that has seen the same character sell three apocalypses in seven years ends up understanding one thing.
The product was her.
Translated from German
I ordered the "Global 2000" report for many of my schoolmates around 1979 because we young people wanted to know just how bad things were with the Earth: e.g., no more oil by 1990, wars over water in the Middle East starting in 2000, fights over food worldwide after that, ....
All of it hogwash, nonsense, all of it leftist doomsday bullshit,
Nothing came true
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